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Ashé Journal, Vol 5, Issue 2, 208-212, Summer 2006. 
Pan On Terrorism
Trebor Healey
Pan has his arms crossed
And his brows knit
Appalled by the antics
Of sexless men
Feckless and fuckless
A paradise full of virgins
What crap
(As absurd as Christian monogamy)
The word is many things
And if it’s fucking you’re after
This is it, assholes
It’s spelled out in genitals everywhere you turn
There are no virgins or whores in heaven
For those who’ve fucked and
good
Know that paradise is nothing
The vanishing point of sexual release
Emptiness
Oblivion
A jewel proferred by the cumming Buddha
So get a clue, angry young men
The jewel is in your boxer shorts
It grows from out of your own mud
It’s name is Prostate
And it is legion
Now put down your explosives
Drop your pants
And serve god and country
Drag Queen Dharma
Trebor Healey
A lotus flower
above the mud
her practice is her heals
Sweet Son of Pan
Sweet Son of Pan, Trebor Healey
(Suspect Thoughts, 2006, 135pp,
$12.95)
As
Gavin Geoffrey Dillard observes in his introduction, some of the most powerful
spiritual poetry has its roots in the erotic—Whitman, Blake, Rumi, Mirabai. Like
his forebears, Healey is a shaman of the word. This collection is a fitting
homage to the randy cloven-hooved demigod. The poetry invokes the god
into the reader (the shaman’s unwitting co-conspirator). The god
then reaches down, drawing forth the most carnal, and coaxes
it, like a serpent, to the crown. Quickly one realizes that spirit is
spirit—a continuity of being from the chthonic to the divine.
Healey brings Aleister Crowley’s ressurected Pan of a 100 years previous
into the twenty-first century. His “Pan” is a direct successor
to Crowley’s “Hymn to Pan.” Crowley wrote, “(Io
Pan! Io Pan!) / Devil or god, to me, to me, / My man! my man! / Come with trumpets
sounding shrill / Over the hill! / Come with drums, low muttering / From the
spring! / Come with flute and come with pipe! / Am I not ripe? / I, who wait
and writhe and wrestle / With hair that hast no boughs to nestle / My body
weary of empty clasp, / Strong as a lion and sharp as an asp— / Come,
O Come!” Healey, for his part, raises the call anew: “Oh
Pan, o-pen / me! / Coax my kindness out of the highrised city / of competing
cocks at sunrise of greed / skyscraping city cumming rules and
regulations / Coax me buttsex beautiful and bodacious out of the beehive of
behavioral boroughs…”
William Burroughs wrote, in his Apolcalypse, of a cry heard by mariners
off the coast of Tuskini: “The
great god pan is dead.” Now that Trebor Healey has proven himself
to be the god's sweet son, I have every suspicion that news of Pan’s
death has been greatly exaggerated.
Trebor Healey is the author of the 2004 Ferro-Grumley and
Violet Quill award-winning novel, Through It Came Bright Colors. He
has published poetry in more than 50 books, reviews, journals and zines. Trebor
lives in Los Angeles, where he is working on his second novel, A Horse
Named Sorrow.
Author website: www.treborhealey.com
Photo: Taro Akita 

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